Back in October, I took a visit out to the Legion of Honor art museum. Normally, I’m not all that fond of the museum. It tends to not have interesting works or exhibitions that involve works that I enjoy. My husband however loves to go there, so we decided to take in the exhibition of the Le Nain brothers before it closed. I am not normally attracted to artworks that are considered Classical. This is mostly due to my unfamiliarity with subject manners that involve religious themes. However I do appreciate the painting techniques of the artists while the images themselves do not usually evoke any kind of emotional reaction within me. The special exhibition was not that particularly interesting to me for this reason, however the one painting that did intrigue me was the final image in the exhibit titled Allegory of Victory. This painting stands out starkly against the rest of the images on display mainly because of how its composition is strangely laid out. What is most strikingly peculiar about the painting for me is that of the second female figure in which the angel is standing on. First, I noticed was how her back is arched awkwardly; if someone was standing on one’s torso, they wouldn’t be arching their back upwards quite like that. Secondly, the bottom figure is oddly placed underneath the angel, with no indications of weight being distributed on the torso. It is as if she was added into the painting as an after-thought by the artist. The feet of the bottom figure also appear to be turning into a serpent’s tail, which is a bit visually jarring when trying to understand the story the image is telling. An intriguing aspect about the bottom figure is how her legs almost appear to be slowly vanishing. The landscape in the background is seeping through her legs, which adds to my theory that this figure was added on after the victorious angel was completed. An alternative to this thought is that the paint used is slowly fading away due to degradation. The background landscape also is visually odd in that towards the bottom there are very small figures meant to indicate a perception of depth, but instead creates an unusual visual contradiction in comparison to the two female figures in front. All of the paintings peculiarities is what draws me into it further. I became fascinated with the curvature of the angel’s form and the way the wings spread across the top of the painting so beautifully. I was disappointed I couldn’t purchase a copy of the image to hang in my home, as this is one of the few classical artworks that I could make a connection with. Overall, this was the one painting that struck an emotional response, which is why I love art so very much. There was an exhibition on art books next door that was really cool to see. On the wall was a series of Pablo Picasso images where he took the same image and did it twenty distinctly different ways. The last image ended up resembling random abstract shapes and figures. Yet another reason Picasso was a great! Still, the Legion remains otherwise dull to me.